For a name of her own: The gender of left melancholy. On the book “TINA, The Story of an Alignment” by Angela Dimitrakaki (in Greek, Estia, 2019)
The persistent reader of the “definitely incomplete” historicity: On Jina Politi’s book “Reading Confiteor”
Gender as lure? Some thoughts on Chloe Kolyri’s book “Gender as Lure: Psychoanalysis, politics and art”
Precarity, performativity and politics of the street (on the greek edition of Judith Butler’s book “Notes on a performative theory of assembly”)
The poetics of the embodied-disembodied in the work of Maria Klonaris and Katerina Thomadaki: On the occasion of the book “Dark Shot”
Unexpected performances of the “feminine” in the film “Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles” by Chantal Akerman
The use of the feminine and madness in J. M. Coetzee’s “In the Heart of the Country” as an ethical and political textual strategy
