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Issue #1
Spring 2018
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The editorial team
The chronicle of an “offensive” publication
activism
Athens Museum of Queer Arts (AMOQA)
AMOQA spreads homosexuality
articles
Anna Carastathis
The atmosphericity of violence under conditions of intersecting crises
Fotini Tsibiridou
Patriarchy as captivity in the post-Soviet era: “Vodka manhood” on screen and angry feminists on camera
Aspa Chalkidou
Sexual institutions: Parenthood and kinship policies in Greece
Sara Ahmed
Changing hands: Some thoughts on Ann Oakley’s “Sex, gender and society”
library
Effi Yannopoulou
The use of the feminine and madness in J. M. Coetzee’s “In the Heart of the Country” as an ethical and political textual strategy
Aliki Theodosiou
Unexpected performances of the “feminine” in the film “Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles” by Chantal Akerman
video essays
Angela Dimitrakaki
Exercising the impossible, a brief introduction to “The Art of the Possible: Towards an international, anti-fascist, feminist front”, 2017
comments
Alexandra Zavos
Reflections on the refugee issue from a feminist perspective
Aliki Kosyfologou
Crisis of equality discourses, politics of inequality: Comment on the social and political consequences of the instrumentalist appeal to gender equality. The example of France.
Katerina Melissinou
“Degenerate” identities, carnival, the slandered Cavafy and philologists with a PhD: On the Thematic Week in Secondary Education
Chrysoula Steka
Gendered obsessions in psychiatric diagnosis
Meltem Ahıska
The power-drive and the time of feminine politics
Adriana Zaharijević
Habemus Gender: The Serbian Case
Ruth Preser
How to be feminist in public