Issue #1

Spring 2018

forward

• The editorial team
  The chronicle of an “offensive” publication

activism

• Athens Museum of Queer Arts (AMOQA)
  AMOQA spreads homosexuality

articles

• Anna Carastathis
  The atmosphericity of violence under conditions of intersecting crises
• Fotini Tsibiridou
  Patriarchy as captivity in the post-Soviet era: “Vodka manhood” on screen and angry feminists on camera
• Aspa Chalkidou
  Sexual institutions: Parenthood and kinship policies in Greece
• Sara Ahmed
  Changing hands: Some thoughts on Ann Oakley’s “Sex, gender and society”

library

• Effi Yannopoulou
  The use of the feminine and madness in J. M. Coetzee’s “In the Heart of the Country” as an ethical and political textual strategy
• Aliki Theodosiou
  Unexpected performances of the “feminine” in the film “Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles” by Chantal Akerman

video essays

• Angela Dimitrakaki
  Exercising the impossible, a brief introduction to “The Art of the Possible: Towards an international, anti-fascist, feminist front”, 2017

comments

• Alexandra Zavos
  Reflections on the refugee issue from a feminist perspective
• Aliki Kosyfologou
  Crisis of equality discourses, politics of inequality: Comment on the social and political consequences of the instrumentalist appeal to gender equality. The example of France.
• Katerina Melissinou
  “Degenerate” identities, carnival, the slandered Cavafy and philologists with a PhD: On the Thematic Week in Secondary Education
• Chrysoula Steka
  Gendered obsessions in psychiatric diagnosis
• Meltem Ahıska
  The power-drive and the time of feminine politics
• Adriana Zaharijević
  Habemus Gender: The Serbian Case
• Ruth Preser
  How to be feminist in public